L' OCCASIONE FA IL LADRO
GIOACHINO ROSSINI
TROUBLE IN TAHITI
LEONARD BERNSTEIN
CREDITS
Conductor Moritz Gnann
Director André Heller-Lopes
Set Design Rita Álvares Pereira, André Heller-Lopes
Choreography Verena Hierholzer
Video André Godinho
Costume Design Rita Álvares Pereira
Lighting Pedro Martins
 
 
L'OCCASIONE FA IL LADRO
GIOACHINO ROSSINI (1792-1868)

Opera (Burletta per Musica) in one act
Libretto by Luigi Prividali based on the play Le prétendu par hazard or L’occasion fait le larron, by Eugène Scribe.
Premiere at San Moisè Theater, Veneza on the 24th of November 1812.


TROUBLE IN TAHITI
LEONARD BERNSTEIN (1920-1989)

Opera in one act.
Libretto by Leonard Bernstein.
Premiere on 12th of June of 1952 at Brandeis University in Waltham, Massachusetts.

New Production
TNSC
YOUNG INTERPRETERS PROGRAM

Duration:
2 hours


PERFORMERS

L'OCCASIONE FA IL LADRO

Don Parmenione João Merino
Martino João Oliveira
Count Alberto João Cipriano
Don Eusebio Marco Alves dos Santos
Berenice Raquel Alão
Ernestina Ana Franco


TROUBLE IN TAHITI

Dinah Luisa Francesconi
Sam João Merino
Trio João Oliveira | Marco Alves dos Santos | Ana Franco
SYNOPSIS

L' OCCASIONE FA IL LADRO

Produced in1812 in the beginning of Rossini's career, L'Occasione Fa il Ladro, Ossia il Cambio della Valigia, is a Farse in one act – a fashionable comic sub-genre that took place in the little theaters of Venice during  the eighteenth and early nineteenth century - the ideal way to the first operatic incursions of the youngest composers since it is a less risky model than the demanding and serious opera. The debut of Rossini in this operatic genre had occurred two years before precisely with a Farse in the same theater that would have L'Occasione Fa il Ladro, the San Moisè of Venice. In this work the italian lyric tradition is evident as well as the core of what would be the Rossinian style. The libretto is based on a vaudeville comedy from 1810 by the young playwright Eugène Scribe. The surprising contemporaneity between the text and the operatic production clearly shows the influence of the french dramatic genre in Italy.

Text, Tiago Cutileiro and Marta Navarro

TROUBLE IN TAHITI

Trouble in Tahiti is one of the first scenic operas by Leonard Bernstein and the first one called opera. It's  about a painfull picture of the north-american suburban middle class of the fifties. Without having a real story it portraits the married life marked by the decadence of affections and the impossibility of its recovery. In this piece the composer searched for a new operatic model without recitations and built under the vernacular english. In 1984,Bernstein  would incorporate the last act of Trouble in Tahiti in his opera A Quiet Place.
With an unusual versatility that brought him from the piano interpretation to the conducting, from composition to musical revelation, Bernstein managed to benefit from the new technologies towards diffusion and popularization of the so called classical music, becoming undoubtedly one of the most well known musicians of the western musical history.

Text, Tiago Cutileiro and Marta Navarro

DATES

JANUARY
Days 13th and 15th at 8pm
Day 17th at 4pm

MARCH
Day 5th at 8pm

MAY
Day 21st at 8pm
Day 23rd at 4pm

SHOWS FOR SCHOOLS
MAY  Day 19th at 3pm
APRIL Day 27th at 3pm

Age rating
over 3
TICKETS



ADULTS
Stalls, Boxes ground floor, Boxes 1st and 2nd floor : 15€
Balcony,  Boxes 3rd, 4th floor : 10€
 
YOUNG under 18 years old 
Stalls, Boxes ground floor, Boxes 1st and 2nd floor : 7,5€
Balcony,  Boxes 3rd, 4th floor : 5€
 
SCHOOLS
Single price : 5€

more informations